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       Table of Contents Part 
        1: Components of Ceremony 'Epa, Apei, 
        and Päega: Ceremonial Mats Death 
        and Funerals  | 
    
       Koua 
            Puha: A Chiefly Treat  Rotuman 
            men made koua puha [1] 
             only on very special occasions because they involved 
            great mobilization of labour and resources. Only two times in recent 
            memory has this special work been done: in 1979 when Tua'koi helped 
            the Methodists of Savlei and Feavai to host the annual Methodist Conference, [2]  and 
            in 1996 when the Catholics celebrated the 150th anniversary of the 
            founding of the Church on Rotuma.  The 
            men made puha from the sweet tuberous roots of the ji plant (dracaena [Cordyline fruiticosa]). 
            There are different kinds of ji: ji ne lala 
            (red-leafed), fagfaga, fakasa, saufa 
            (for making dance skirts), ji 'ura 
            (broad reddish leaves and a red leaf stalk), ji 
            rotuma (for telulu), and ji 
            ne peje. Ji rotuma and ji ne peje have the best roots for puha. Ji rotuma is planted 
            in the bush in tandem with papai because 
            both take years to grow to maturity. It is easiest to dig down on 
            one side of the ji plant, then push 
            the whole plant over before cutting off the roots.  In 
            preparation for the koua puha, pieces of coconut leaves long enough to cover 
            the tubers were wrapped around them and plaited along the sides in 
            the same manner as with a chicken to be baked in a koua. 
            Owners marked their initials on the coconut rib. Making 
            the koua was the hardest part. It required many men; the 
            whole village had to lend a hand. The men went to the bush for firewood, 
            which had to be a hard wood such as pou 
            (Flueggea flexuosa). The preparation of koua 
            puha was similar to that of a big koua 
            for a wedding feast, except that pou took more than 24 hours to burn and the stones used 
            were bigger than those used in an ordinary koua. 
            The men stacked the wood first, then they piled the stones on it. 
            Before the koua was ignited, the men sang a ki. Then they called a chief or a prominent person to 
            light the fire.  From 
            the roots of young pou trees, they had to prepare long poles (kivei) for spreading the red-hot stones evenly; the 
            ends of the poles formed hooks for moving the stones here and there. 
            Each pole required a whole tree and was very heavy, so several men 
            working together handled each pole. Groups of men who were related 
            to each other decided the number of poles. Usually four poles were 
            enough. Men from the same kainaga worked a pole together, those at the back pushing 
            it forward to the hot koua while those 
            in front let go their hands. If one of the men in front failed to 
            let go when the pole was pushed forward, he might be thrown into the 
            hot stones and fatally burned. That is why the men who worked a kivei 
            ideally were closely related, for this was dangerous work and required 
            much consideration for one another's lives.  The 
            men dressed up in skirts of ji leaves 
            around their waists and trunks to protect them from the intense heat. 
            The men and women plaited titi (girdles) of ji leaves 
            for the young and strong men to wear around their waists and across 
            their chests and backs to protect their bodies from being scorched 
            by the intense heat as they tended the hot stones of the koua. 
            The men changed their ji leaf girdles 
            to fresh ones when the dry heat discoloured the leaves. The men who 
            were levelling the hot stones with the long poles wore several girdles 
            around their bodies, thick enough to protect their skin from the heat. 
             After 
            they spread the hot stones evenly, the men threw trunks of banana 
            trees over them. They had to cover the stones thoroughly with banana 
            tree trunks so that the puha did not burn. Then they threw the puha on top and covered them with layers and layers of 
            banana leaves, sa'a leaves, papai leaves, and so on, followed by sand. The sand had 
            to be laid on thick to keep the steam in. A koua 
            puha remained unopened for three nights. During that period 
            the men kept adding sand to stop the steam from escaping, because 
            any vent that opened up could cause the puha 
            to burn. When 
            it was time to open the koua, the men gathered and sang a ki as they had when lighting it, because the opening 
            of the koua was hard work and required 
            extra energy. It took one or two hours to open the koua 
            puha and remove the puha, for 
            the steam was still there, as well as some of the heat. Each family 
            took their own puha to share with their relatives and friends. Each 
            family's biggest puha was taken to 
            one place as the fakti'toag ta (the 
            chiefly allotment) to make the 'otai 
            for the chiefs. 'Otai was a dessert made from puha, 
            coconut juice, and the flesh of green coconuts that were husked, scraped 
            clean, and cut in half. The juice was stored in a bucket or basin 
            to be used for rinsing the shredded puha. Each 
            young man who was going to scrape the coconut had to put a ji 
            leaf around his head to keep his sweat from falling into the grated 
            coconut, and ji leaves around his wrists. He scraped each half with 
            a coconut grater and the grated coconut fell into an 'umefe 
            or suasua, a large wooden bowl 
            for mixing fekei. A second young man 
            peeled off the skin of the puha and, 
            using his fingers, stripped off the flesh of the puha 
            from the top end to a mark he had cut around the bottom end of the 
            puha with his knife. He placed the 
            strips of puha on top of the grated 
            coconut in the 'umefe. Then the first 
            man, who had grated the coconut, began squeezing the juice from the 
            strips of puha onto the grated coconut. 
            He dipped the squeezed puha into a 
            bucket of coconut juice, and kept on squeezing the juice into the 
            'umefe until the puha was dry. He could 
            tell that all the flavour was out of the puha 
            by looking at the colour of the juice as he was squeezing it.  Meanwhile 
            the second man had prepared the fujia, 
            a ring made from a ji leaf curled around and fastened. When the stripped 
            puha had been all squeezed out, the 'otai was ready to serve. The man who had stripped the 
            puha cut up small sticks of puha from the remaining end. Then he held out an empty 
            coconut shell to the first man, who used another coconut shell to 
            scoop 'otai and pour it into the cup. The second man put a 
            stick of puha in the cup (it could 
            be used as a spoon and could be chewed afterwards). He placed the 
            cup on a fujia and handed it to a young man who served the 'otai to the chiefs and guests. The 
            fujia was used only when presenting 
            'otai to a chief. A family 'otai 
            did not need it.  'Otai tastes like caramel, or perhaps like chocolate with macadamia nuts, and the juice is a light chocolate colour that goes well with the grated coconut. Notes 
              to Koua Puha [1] 
               In Hawaiian language, the term for kouapuha 
              is "kaimuki" or ka-imu-ki 
              (the earth oven of the ti plant)suggesting that Rotumans are 
              not the only ones in the Pacific who know how to make it.   
              [2] 
               The people of Tua'koi, who are all 
              Catholics, offered to make the koua puha.  |